Source: Musica poetica: Definitionibus et divisionibus breviter delineata, quibus in singulis capitibus sunt hypomnemata praeceptionum instar [sunoptikos] addita, edita studiô et operâ (Rostock: Stephanus Myliander, 1606).
Source: Exercitationes musicae duae. Qvarvm prior est, de modis mvsicis, qvos vulgò Tonos vocant, rectè cognoscendis, et dijudicandis. Posterior, de initio et progressv Mvsices, alijsque rebus eo spectantibus (Leipzig: Iacobus Apelius, 1600).
Source:
Ágnes Papp, "Eine späte Abschrift der Lehre der Musica plana in einem Gesangbuch aus Ungarn: Musiktheoretische Aufzeichnungen und Tonar," in
Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 2001), 498–510. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Opera varia, vol. 2 (Lugduni Batavorum: J. van der Aa, 1724), 747-54; reprint as Christiaan Huygens,
Le Cycle harmonique (Rotterdam 1691) Novus cyclus harmonicus (Leiden 1724) with Dutch and English translations, ed. Rudolf Rasch, Tuning and Temperament Library, vol. 6 (Utrecht: Diapason Press, 1986), 143–52.
Source: Synopsis musicae novae omnino verae atque methodicae universae, in omnis sophiae praegustum [Parergos] inventae disputatae et propositae omnibus philomusis. à Magistro Joanne Lippio Argentoratensi Alsato Theologo (Argentorati: Paulus Ledertz, typis Carolus Kieffer, 1612).