Source: Ameri Practica artis musice (1271), ed. Cesarino Ruini, Corpus Scriptorum de Musica, vol. 25 (n.p.: American Institute of Musicology, 1977), 19–112. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Petrus Picardus,
Ars motettorum compilata breviter, ed. F. Alberto Gallo; Anonymus,
Ars musicae mensurabilis secundum Franconem (Mss. Paris, Bibl. Nat., lat. 15129; Uppsala, Universiteitsbibl., C 55), ed. Gilbert Reaney and André Gilles; Anonymus,
Compendium musicae mensurabilis artis antiquae (Ms. Faenza, Biblioteca Comunale 117), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 15 ([Rome]: American Institute of Musicology, 1971), 39–53 (odd). As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Marie Louise Göllner, ed.,
The Manuscript Cod. lat. 5539 of the Bavarian State Library, Musicological Studies and Documents, vol. 43 (Neuhausen-Stuttgart: Hänssler-Verlag, American Institute of Musicology, 1993), 69–94. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Marie Louise Göllner, ed.,
The Manuscript Cod. lat. 5539 of the Bavarian State Library, Musicological Studies and Documents, vol. 43 (Neuhausen-Stuttgart: Hänssler-Verlag, American Institute of Musicology, 1993), 110–13. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Michel Huglo, "Le traité de cantus mensurabilis du manuscrit de Bamberg," in
Pax et Sapientia: Studies in Text and Music of Liturgical Tropes and Sequences in Memory of Gordon Anderson, ed. Ritva Jacobsson, Acta universitatis stockholmiensis, Studia latina stockholmiensia, vol. 29 (Stockholm: Almqvist & Wiksell, 1986), 94–95. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Johannes dictus Balloce,
Abreviatio magistri Franconis; Anonymus,
Compendium musicae mensurabilis artis antiquae (Ms. Saint-Dié, Bibl. Municipale, 42), ed. Gilbert Reaney; Anonymus,
Compendium musicae mensurabilis artis antiquae (Ms. Wien, Nationalbibl., 5003); Anonymus,
Tractatus artis antiquae cum explicatione mensurae binariae (Ms. Wien, Nationalbibl., 5003), ed. Heinz Ristory, Corpus scriptorum de musica, vol. 34 (n.p.: American Institute of Musicology, 1987), 27–36. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Petrus Picardus,
Ars motettorum compilata breviter, ed. F. Alberto Gallo; Anonymus,
Ars musicae mensurabilis secundum Franconem (Mss. Paris, Bibl. Nat., lat. 15129; Uppsala, Universiteitsbibl., C 55), ed. Gilbert Reaney and André Gilles; Anonymus,
Compendium musicae mensurabilis artis antiquae (Ms. Faenza, Biblioteca Comunale 117), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 15 ([Rome]: American Institute of Musicology, 1971), 66–72. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Johannes dictus Balloce,
Abreviatio magistri Franconis; Anonymus,
Compendium musicae mensurabilis artis antiquae (Ms. Saint-Dié, Bibl. Municipale, 42), ed. Gilbert Reaney; Anonymus,
Compendium musicae mensurabilis artis antiquae (Ms. Wien, Nationalbibl., 5003); Anonymus,
Tractatus artis antiquae cum explicatione mensurae binariae (Ms. Wien, Nationalbibl., 5003), ed. Heinz Ristory, Corpus scriptorum de musica, vol. 34 (n.p.: American Institute of Musicology, 1987), 49–58. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:364–65.
Source: De musica libellus (Ms. Paris, Bibl. Nat., lat. 6286);
Tractatus de discantu (Ms. Saint-Dié, Bibl. Municipale, 42);
Compendium discantus (Ms. Oxford, Bodl. Libr., Bodley 842);
Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 15139);
Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 14741), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 36 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1996), 19–35. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: De musica mensurata: The Anonymous of St. Emmeram, ed. and trans. Jeremy Yudkin, Music: Scholarship and Performance (Bloomington: Indiana University Press, 1990), 64-288 (even), 338–48. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
André Gilles, "De musica plana breve compendium (Un témoignage de l'enseignement de Lambertus),"
Musica disciplina 43 (1989): 33-62, 39–51. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Petrus Picardus,
Ars motettorum compilata breviter, ed. F. Alberto Gallo; Anonymus,
Ars musicae mensurabilis secundum Franconem (Mss. Paris, Bibl. Nat., lat. 15129; Uppsala, Universiteitsbibl., C 55), ed. Gilbert Reaney and André Gilles; Anonymus,
Compendium musicae mensurabilis artis antiquae (Ms. Faenza, Biblioteca Comunale 117), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 15 ([Rome]: American Institute of Musicology, 1971), 38–54 (even). As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:484–98.
Source:
Wolfgang Hirschmann, "Accessus und Glosse: Die Micrologus-Version der Handschrift Oxford, St John's College 188," in
Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001), 165–69. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Wolfgang Hirschmann, "Accessus und Glosse: Die Micrologus-Version der Handschrift Oxford, St John's College 188," in
Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001), 170–71. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Max Haas, "Studien zur mittelalterlichen Musiklehre I: Eine Übersicht über die Musiklehre im Kontext der Philosophie des 13. und frühen 14. Jahrhunderts," in
Aktuelle Fragen der musikbezogenen Mittelalterforschung: Texte zu einem Basler Kolloquium des Jahres 1975, Forum Musicologicum: Basler Beiträge zur Musikgeschichte, vol. 3, ed. Hans Oesch and Wulf Arlt (Winterthur: Amadeus Verlag, 1982), 425.
Source:
Marie Louise Göllner, ed.,
The Manuscript Cod. lat. 5539 of the Bavarian State Library, Musicological Studies and Documents, vol. 43 (Neuhausen-Stuttgart: Hänssler-Verlag, American Institute of Musicology, 1993), 101–8. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Max Haas, "Studien zur mittelalterlichen Musiklehre I: Eine Übersicht über die Musiklehre im Kontext der Philosophie des 13. und frühen 14. Jahrhunderts," in
Aktuelle Fragen der musikbezogenen Mittelalterforschung: Texte zu einem Basler Kolloquium des Jahres 1975, Forum Musicologicum: Basler Beiträge zur Musikgeschichte, vol. 3, ed. Hans Oesch and Wulf Arlt (Winterthur: Amadeus Verlag, 1982), 354–55 and 358–59.
Source:
Prosdocimo de' Beldomandi,
Brevis summula proportionum quantum ad musicam pertinet and Parvus tractatulus de modo monacordum dividendi, ed. and trans. by Jan Herlinger, Greek and Latin Music Theory, vol. 4 (Lincoln: University of Nebraska Press, 1987), 126–34. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Johannes dictus Balloce,
Abreviatio magistri Franconis; Anonymus,
Compendium musicae mensurabilis artis antiquae (Ms. Saint-Dié, Bibl. Municipale, 42), ed. Gilbert Reaney; Anonymus,
Compendium musicae mensurabilis artis antiquae (Ms. Wien, Nationalbibl., 5003); Anonymus,
Tractatus artis antiquae cum explicatione mensurae binariae (Ms. Wien, Nationalbibl., 5003), ed. Heinz Ristory, Corpus scriptorum de musica, vol. 34 (n.p.: American Institute of Musicology, 1987), 69–73. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: De musica libellus (Ms. Paris, Bibl. Nat., lat. 6286);
Tractatus de discantu (Ms. Saint-Dié, Bibl. Municipale, 42);
Compendium discantus (Ms. Oxford, Bodl. Libr., Bodley 842);
Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 15139);
Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 14741), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 36 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1996), 39–45. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Unpublished critical text by Ulrike Hascher-Burger (Sonderholm 67, NL-2133 Hoofdorp, The Netherlands). As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:94–97.
Source:
Hieronymus de Moravia,
Tractatus de musica, ed. S. M. Cserba, Freiburger Studien zur Musikwissenschaft, vol. 2 (Regensburg: Pustet, 1935), 189–94.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:296–302.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:303–19.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:319–27.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:327–64.
Source:
Fritz Reckow,
Der Musiktraktat des Anonymus 4, 2 vols., Beihefte zum Archiv für Musikwissenschaft, vols. 4-5 (Wiesbaden: Steiner, 1967), 1:22–89. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:378–83.
Source:
Anonymous II,
Tractatus de discantu, ed. Albert Seay, Texts/Translations, no. 1 (Colorado Springs: Colorado College Music Press, 1978), 2–62. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: D. Thomae Aquinatis De arte musica nunc primum ex codice bibliothecae Universitatis Ticinensis, ed. Sac. Guarinus Amelli (Milan: S. Josephus, 1880), 19–25.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:251–81.
Source:
Hans Müller,
Eine Abhandlung über Mensuralmusik in der Karlsruher Handschrift St. Peter pergamen. 29a, Mittheilungen aus der Grossherzoglich Badischen Hof- und Landesbibliothek und Münzsammlung, Band 4 (Leipzig: B. G. Teubner, 1886), 5–7.
Source:
Franconis de Colonia,
Ars cantus mensurabilis, ed. Gilbert Reaney and André Gilles, Corpus scriptorum de musica, vol. 18 ([Rome]: American Institute of Musicology, 1974), 23–82. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:117–36.
Source:
Hieronymus de Moravia,
Tractatus de musica, ed. S. M. Cserba, Freiburger Studien zur Musikwissenschaft, vol. 2 (Regensburg: Pustet, 1935), 230–59.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:154–56.
Source: De musica libellus (Ms. Paris, Bibl. Nat., lat. 6286);
Tractatus de discantu (Ms. Saint-Dié, Bibl. Municipale, 42);
Compendium discantus (Ms. Oxford, Bodl. Libr., Bodley 842);
Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 15139);
Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 14741), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 36 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1996), 50–56. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Hieronymus de Moravia,
Tractatus de musica, ed. S. M. Cserba, Freiburger Studien zur Musikwissenschaft, vol. 2 (Regensburg: Pustet, 1935), 3–179.
Source:
Hieronymus de Moravia,
Tractatus de musica, ed. S. M. Cserba, Freiburger Studien zur Musikwissenschaft, vol. 2 (Regensburg: Pustet, 1935), 179–89, 263–91.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:1–89.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:89–94 and 139–54.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:175–82.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:97–117.
Source:
Erich Reimer,
Johannes de Garlandia: De mensurabili musica, kritische Edition mit Kommentar und Interpretation der Notationslehre, 2 vols., Beihefte zum Archiv für Musikwissenschaft, vols. 10-11 (Wiesbaden: Steiner, 1972), 1:35–89 and 91–97. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Hieronymus de Moravia,
Tractatus de musica, ed. S. M. Cserba, Freiburger Studien zur Musikwissenschaft, vol. 2 (Regensburg: Pustet, 1935), 194–230.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:12–13.
Source:
Johannes dictus Balloce,
Abreviatio magistri Franconis; Anonymus,
Compendium musicae mensurabilis artis antiquae (Ms. Saint-Dié, Bibl. Municipale, 42), ed. Gilbert Reaney; Anonymus,
Compendium musicae mensurabilis artis antiquae (Ms. Wien, Nationalbibl., 5003); Anonymus,
Tractatus artis antiquae cum explicatione mensurae binariae (Ms. Wien, Nationalbibl., 5003), ed. Heinz Ristory, Corpus scriptorum de musica, vol. 34 (n.p.: American Institute of Musicology, 1987), 13–21. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:292–96.
Source:
Walter Grossmann,
Die einleitenden Kapitel des Speculum Musicae von Johannes de Muris: Ein Beitrag zur Musikanschauung des Mittelalters (Leipzig: Breitkopf und Härtel, 1924; reprint ed., Nendeln/Liechtenstein: Kraus, 1976), 94–96.
Source:
Robert Kilwardby O.P,
De ortu scientiarum, Auctores britannici medii aevi, vol. IV (London: The British Academy; Toronto: The Pontifical Institute of Mediaeval Studies, 1976), 46–47, 50–53, 55–60, 138, 144, 146, 167, and 224. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:157–75.
Source: The Summa Musice: A Thirteenth-Century Manual for Singers, ed. Christopher Page, Cambridge Musical Texts and Monographs (Cambridge: Cambridge University Press, 1991), 139–211. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Petrus Picardus,
Ars motettorum compilata breviter, ed. F. Alberto Gallo; Anonymus,
Ars musicae mensurabilis secundum Franconem (Mss. Paris, Bibl. Nat., lat. 15129; Uppsala, Universiteitsbibl., C 55), ed. Gilbert Reaney and André Gilles; Anonymus,
Compendium musicae mensurabilis artis antiquae (Ms. Faenza, Biblioteca Comunale 117), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 15 ([Rome]: American Institute of Musicology, 1971), 16–24. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:136–39.
Source:
Hieronymus de Moravia,
Tractatus de musica, ed. S. M. Cserba, Freiburger Studien zur Musikwissenschaft, vol. 2 (Regensburg: Pustet, 1935), 259–63.
Source:
Frank Hentschel, "Der verjagte Dämon: Mittelalterliche Gedanken zur Wirkung der Musik aus der Zeit um 1300, mit einer Edition der Quaestiones 16 und 17 aus Quodlibet VI des Petrus d'Auvergne," in
Miscellanea Mediaevalia: Veröffentlichungen des Thomas-Instituts der Universität zu Köln, vol. 27, Geistesleben im 13. Jahrhundert, ed. Jan A. Aertsen and Andreas Speer (Berlin: Walter de Gruyter, 2000), 412–21. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:282–92.
Source: Petrus de Cruce Ambianensi Tractatus de tonis, ed. Denis Harbison, Corpus scriptorum de musica, vol. 29 (n.p.: American Institute of Musicology, 1976), vi–xxv. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Alexander de Villa Dei,
Carmen de musica cum glossis, ed. Albert Seay, Critical Texts, no. 5 (Colorado Springs: Colorado College Music Press, 1977), 1–25. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Gottfried Göller, ed.,
Vinzenz von Beauvais O.P. (um 1194-1264) und sein Musiktraktat im Speculum doctrinale, Kölner Beiträge zur Musikforschung, Band XV (Regensburg: Gustav Bosse, 1959), 86–118. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.