Source: Libri tres de institutione harmonica editi a Petro Aaron Florentino (Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, 1516; reprint ed., New York: Broude Bros., 1978), ff. Air–Cviv.
Source: Libri tres de institutione harmonica editi a Petro Aaron Florentino (Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, 1516; reprint ed., New York: Broude Bros., 1978), ff. Cviv–Eviiir.
Source: Libri tres de institutione harmonica editi a Petro Aaron Florentino (Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, 1516; reprint ed., New York: Broude Bros., 1978), ff. Eviiiv–Hxr.
Source: Libri tres de institutione harmonica editi a Petro Aaron Florentino. [Corrigenda.] (Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, [1516?]; reprint ed., New York: Broude Bros., 1978), ff. Iir–Iiiv.
Source: Compendium musices, Venetiis, 1499-1597, ed. David Crawford, Corpus scriptorum de musica, vol. 33 (n.p.: American Institute of Musicology, 1985), 36–57. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 98–115. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Erotematum musicae libri duo, ex optimis huius artis scriptoribus vera perspicuaque methodo descripti (Nuremberg: In officina typographica Catharinae Gerlachin, et Haeredum Ioannis Montani, 1580; repr., Cologne: Arno Volk, 1969), 1–68.
Source: Erotematum musicae libri duo, ex optimis huius artis scriptoribus vera perspicuaque methodo descripti (Nuremberg: In officina typographica Catharinae Gerlachin, et Haeredum Ioannis Montani, 1580; repr., Cologne: Arno Volk, 1969), 68–125.
Source: Musicae Rudimenta e pleniore eius descriptione itemque exempla quaedam facilia ad puerilem exercitationem e bonis auctoribus (Tremoniae, excudebat Albertus Sartorius, 1581), Beiträge zur rheinischen Musikgeschichte, vol. 38 (Köln: Arno Volk, 1960), 1–17. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Musicae Rudimenta e pleniore eius descriptione itemque exempla quaedam facilia ad puerilem exercitationem e bonis auctoribus (Tremoniae, excudebat Albertus Sartorius, 1581); Beiträge zur rheinischen Musikgeschichte, vol. 38 (Köln: Arno Volk, 1960), 18–51.
Source: Hieronymi Cardani Mediolanensis philosophi ac medici celeberrimi operum tomus decimus; quo continentur opuscula miscellanea ex fragmentis et paralipomenis. Contentorum huius tomi seriem index titulorum exhibet. Nunc primum ex authoris manuscriptis prodeunt (Lugduni, sumptibus Ioannis Antonii Huguetan et Marci Antonii Rauaud, 1663; repr., Stuttgart-Bad Cannstatt: Friedrich Frommann Verlag [Günther Holzboog], 1966), 105–16.
Source: Tetrachordum musices Ioannis Coclei Norici artium magistri Nurnbergae aeditum pro iuuentute Laurentiana in primis dein pro ceteris quoque Musarum Tyrunculis (Nurnbergae, impressi in officina excusoria Friderici Peypus, 1514), ff. Air–Bir.
Source: Tetrachordum musices Ioannis Coclei Norici artium magistri Nurnbergae aeditum pro iuuentute Laurentiana in primis dein pro ceteris quoque Musarum Tyrunculis (Nurnbergae, impressi in officina excusoria Friderici Peypus, 1514), ff. Bir–Civ.
Source: Tetrachordum musices Ioannis Coclei Norici artium magistri Nurnbergae aeditum pro iuuentute Laurentiana in primis dein pro ceteris quoque Musarum Tyrunculis (Nurnbergae, impressi in officina excusoria Friderici Peypus, 1514), ff. Civ–Diiiir.
Source: Tetrachordum musices Ioannis Coclei Norici artium magistri Nurnbergae aeditum pro iuuentute Laurentiana in primis dein pro ceteris quoque Musarum Tyrunculis (Nurnbergae, impressi in officina excusoria Friderici Peypus, 1514), ff. Diiiiv–Fiiiir.
Source:
Bernhard Engelke, "Praecepta mvsicae poeticae a D: Gallo Dresselero,"
Geschichtsblätter für Stadt und Land Magdeburg 49-50 (1914-15): 213-50, 213–50.
Source: Proportiones practicabiles secundum Gaffurium, ed. and trans. Theodor Dumitrescu, Studies in the History of Music Theory and Literature, vol. 2 (Urbana and Chicago: University of Illinois Press, 2006), 68–158 (even–numbered pages only). As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Henrici Fabri Compendiolum musicae pro incipientibus, Bibliotheca musica bononiensis II/20 (Nuremberg: Paul Kauffmann, 1594; repr., Bologna: Forni, 1980).
Source:
Heinrich Faber,
Ad musicam practicam introductio, non modo praecepta, sed exempla quoque ad usum puerorum accomodata, quàm breuissime continens (Nuremberg: In Officina Iohannis Montani, et Vlrici Neuber, 1550), ff. A1r–L1v.
Source:
Heinrich Faber,
Ad musicam practicam introductio, non modo praecepta, sed exempla quoque ad usum puerorum accomodata, quàm breuissime continens (Nuremberg: In Officina Iohannis Montani, et Vlrici Neuber, 1550), ff. L2r–a3v.
Source: Practica musica Hermanni Finckii, exempla variorum signorum, proportionum et canonum, iudicium de tonis, ac quaedam de arte suaviter et artificiose cantandi continens (Vitebergae, excusa typis haeredum Georgii Rhaw, 1556).
Source: Epithoma musice instrumentalis ad omnimodam Hemispherii seu Luthine et theoricam et practicam per Orontium fineum Delphinatem studiose collectum (1530; repr., Geneva: Minkoff, 1993).
Source: Rerum musicarum opusculum rarum ac insigne, totius eius negotii rationem mira industria et brevitate complectens, iam recens publicatum (Argentorati, apud Petrum Schoeffer et Mathiam Apiarium, 1535).
Source:
Marcin Kromer,
De musica figurata liber posterior, ed. Albert Seay, Texts/Translations, no. 3 (Colorado Springs: Colorado College Music Press, 1980), 2–34. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Compendium musices, tam figurati quam plani cantus ad formam dialogi, in usum ingenuae pubis ex eruditis Musicorum scriptis accurate congestum, quale ante hac nunquam uisum, et iam recens publicatum. Adiectis etiam regulis de concordantiarum et componendi cantus artificio, summatim omnia musices praecepta pulcherrimis exemplis illustrata, succincte et simpliciter complectens (Bern: Samuel Apiarius, 1554).
Source: De accentuum ecclesiasticorum exquisita ratione, scilicet Lectionali, Epistolari, et Euangelico, Libellus omnibus sacris iniciatis, Vicarijs et Ecclesiae Ministris, non minus Vtilis quam necessarius (Cracow: Scharffenberg, 1539; repr., Cracow: Polskie Wydawnictwo Muzyczne, 1975).
Source: De musicae laudibus oratio seu adhortatio quaedam, ad musicae studiosos: cui annexa est, quae in scalis et musica tractantur, multorum vocabulorum graecorum interpretatio, cum octo tonorum proprietatibus, et totidem eorum melodijs, tetraphonis haud inconcinnis Atque alia nonnulla, quae sequens ostendit paginula. His octo tonis, tanquam auctarium additur Peregrinus, quasi post liminio reuersus, qui cum coeteris tonis fratribus suis, in pristinam redit noticiam (Cracow: Halicz, 1540; repr., Cracow: Polskie Wydawnictwo Muzyczne, 1975).
Source: De philosophiae laudibus oratio in qua singularum artium fere liberalium, laus et decorum continetur et utilitas, a doctissimorum sententiis philosphorum, non abhorrens, eme, lege, et adficiere (Cracow: Scharffenberg, 1537; repr., Cracow: Polskie Wydawnictwo Muzyczne, 1975).
Source: Musica Nicolai Listenii ab authore denuo recognita multisque novis regulis et exemplis adaucta (Nuremberg: Petreius, 1549; reprint in Veröffentlichungen der Musik-Bibliothek Paul Hirsch, vol. 8, Berlin: Martin Breslauer, 1927).
Source: Musicae seu praxis musicae.... De concentus polyphoni, id est, ex plurifariis vocibus compositi canonibus libri totidem (Strasbourg: Schott, 1536).
Source: De modis, ed. Tsugami Eisuke (Tokyo: Keiso Shobo, 1991), 3–129. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Johannis de Muris Musica speculativa, ed. Susan Fast, Musicological Studies, vol. 61 (Ottawa: The Institute of Mediaeval Music, 1994), 332–34. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Renate Federhofer-Königs,
Johannes Oridryus und sein Musiktraktat (Düsseldorf 1557), Beiträge zur rheinischen Musikgeschichte, vol. 24 (Köln: Arno Volk, 1957), 65–157. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Karl-Werner Gümpel, "Der Toledaner Kapellmeister Bartolome de Quevedo und sein Kommentar zu der Extravagante 'Docta Sanctorum' Johannes XXII," in
Gesammelte Aufsätze zur Kulturgeschichte Spaniens, Spanische Forschungen der Görresgesellschaft, I/21 (Münster: Aschendorff, 1963), 297–308. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Margarita philosophica, mit einem Vorwort, einer Einleitung und einem neuen Inhaltsverzeichnis von Lutz Geldsetzer (Düsseldorf: Stern-Verlag Janssen & Co., [1973]), 175–203.
Source: Enchiridion utriusque musicae practicae a Georgio Rhau ex varijs musicorum libris, pro pueris in schola Vitebergensi congestum (Wittemberg: Georg Rhau, 1538; repr., Kassel: Bärenreiter, 1951).
Source:
Biagio Rossetti,
Libellus de rudimentis musices, ed. Albert Seay, Critical Texts, no. 12 (Colorado Springs: Colorado College Music Press, 1981), 1–60. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Biagio Rossetti,
Libellus de rudimentis musices, ed. Albert Seay, Critical Texts, no. 12 (Colorado Springs: Colorado College Music Press, 1981), 62–94. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Renate Federhofer-Königs, "Die Musica plana atque mensurabilis von Heinrich Saess,"
Kirchenmusikalisches Jahrbuch 48 (1964), 64–94. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), ff. 1r–8v and pp. 1–45.
Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), 46–100.
Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), 101–75.
Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), 176–234.
Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), 235–85.
Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), 286–373.
Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), 374–438.
Source:
Klaus Wolfgang Niemöller,
Die Musica figurativa des Melchior Schanppecher, Beiträge zur rheinischen Musikgeschichte, vol. 50 (Köln: Arno Volk, 1961), 1–40. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Modus regulariter accentuandi lectiones Matutinales, prophetias necnon epistolas et euangelia ([Cracow: Jan Haller, 1518]; reprint ed., Cracow: Polskie Wydawnictwo Muzyczne, 1979).
Source: Opusculum musice compilatum nouiter per dominum Sebastianum presbiterum de Felstin. Pro institutione adolescentum in cantu Simplici seu Gregoriano ([Cracow: Jan Haller, 1517]; reprint ed., Cracow: Polskie Wydawnictwo Muzyczne, 1979).
Source:
Gaspar Stoquerus,
De musica verbali libri duo, ed. and trans. Albert C. Rotola, S.J., Greek and Latin Music Theory, vol. 5 (Lincoln: University of Nebraska Press, 1988), 100–254. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Rutgerus Sycamber de Venray,
Dialogus de musica (um 1500), ed. Fritz Soddemann, Beiträge zur rheinischen Musikgeschichte, vol. 54 (Köln: Arno Volk, 1963), 1–64. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Stephano Vanneo,
Recanetum de musica aurea, liber II, capituli XX-XXXVII, ed. Albert Seay, Texts/Translations, no. 2 (Colorado Springs: Colorado College Music Press, 1979). As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Renate Federhofer-Koenigs, "Johannes Vogelsang und sein Musiktraktat (1542): Ein Beitrag zur Musikgeschichte von Feldkirch (Vorarlberg),"
Kirchenmusikalisches Jahrbuch 49 (1965), 76–113. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source: Enchiridion musices Nicolai Wollici Barroducensis de gregoriana et figuratiua atque contrapuncto simplici percommode tractans, omnibus cantu oblectantibus perutile et necessarium (Impressum Parisii impensa honestissimorum virorum Iohannis Parui ad intersignium Leonis Argentei et Francisci Regnault ad intersignium diui Claudii commorantium. Anno virginei partus .1512. 14. kalendas Nouembris), ff. air–aviir.
Source: Enchiridion musices Nicolai Wollici Barroducensis de gregoriana et figuratiua atque contrapuncto simplici percommode tractans, omnibus cantu oblectantibus perutile et necessarium (Impressum Parisii impensa honestissimorum virorum Iohannis Parui ad intersignium Leonis Argentei et Francisci Regnault ad intersignium diui Claudii commorantium. Anno virginei partus .1512. 14. kalendas Nouembris), ff. aviir–cviiir.
Source: Enchiridion musices Nicolai Wollici Barroducensis de gregoriana et figuratiua atque contrapuncto simplici percommode tractans, omnibus cantu oblectantibus perutile et necessarium (Impressum Parisii impensa honestissimorum virorum Iohannis Parui ad intersignium Leonis Argentei et Francisci Regnault ad intersignium diui Claudii commorantium. Anno virginei partus .1512. 14. kalendas Nouembris), ff. cviiir–giv.
Source: Enchiridion musices Nicolai Wollici Barroducensis de gregoriana et figuratiua atque contrapuncto simplici percommode tractans, omnibus cantu oblectantibus perutile et necessarium (Impressum Parisii impensa honestissimorum virorum Iohannis Parui ad intersignium Leonis Argentei et Francisci Regnault ad intersignium diui Claudii commorantium. Anno virginei partus .1512. 14. kalendas Nouembris), ff. giv–gviir.
Source: Enchiridion musices Nicolai Wollici Barroducensis de gregoriana et figuratiua atque contrapuncto simplici percommode tractans, omnibus cantu oblectantibus perutile et necessarium (Impressum Parisii impensa honestissimorum virorum Iohannis Parui ad intersignium Leonis Argentei et Francisci Regnault ad intersignium diui Claudii commorantium. Anno virginei partus .1512. 14. kalendas Nouembris), ff. gviiv–kiiiir.
Source: Enchiridion musices Nicolai Wollici Barroducensis de gregoriana et figuratiua atque contrapuncto simplici percommode tractans, omnibus cantu oblectantibus perutile et necessarium (Impressum Parisii impensa honestissimorum virorum Iohannis Parui ad intersignium Leonis Argentei et Francisci Regnault ad intersignium diui Claudii commorantium. Anno virginei partus .1512. 14. kalendas Nouembris), ff. kiiiir–liiiir.
Source: Die Musica Gregoriana des Nicolaus Wollick, ed. Klaus Wolfgang Niemöller, Beiträge zur Rheinischen Musikgeschichte, vol. 11 (Cologne: Staufen, 1955), 1–80. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.
Source:
Paul Kast, "Der Traktat 'De Musica' von Joachim Woltersdorf," in
Studien zur italienisch-deutschen Musikgeschichte, ed. Paul Kast, Analecta musicologica, Band 1 (Köln: Böhlau, 1963), 24–27. As a work, this treatise is in the public domain. As a raw transcription, this file is free of copyright and may be reproduced and distributed freely.